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Doric String Quartet 

Alex Redington, violin 
Ying Xue, violin 
Hélène Clément, viola 
John Myerscough, cello 


“Doric String Quartet led a spellbinding series of concerts, rich in variety, impeccable in execution.”

- The Guardian



Firmly established as one of the leading quartets of its generation, the Doric String Quartet receives enthusiastic responses from audiences and critics across the globe. With repertoire ranging from Haydn through to Bartok, Ades and Brett Dean, the Quartet’s schedule takes them to the leading concert halls around the world including Amsterdam Concertgebouw, Vienna Konzerthaus, Berlin Konzerthaus, Hamburg Elbphilharmonie, Louvre, Carnegie Hall and Kioi Hall Tokyo as well as regular performances at Wigmore Hall.

A recent highlight of the Quartet’s programming has been Brett Dean’s String Quartet No 3, written specifically for the Quartet. Given its world premiere in June 2019, “Hidden Agendas” was co-commissioned for the Doric by the Berlin Konzerthaus, Carnegie Hall, Amsterdam String Quartet Biennale, Edinburgh International Festival, Musica Viva Australia and the West Cork Chamber Music Festival.

Forthcoming highlights include returns to the Wigmore Hall, Festspiele Mecklenburg Vorpommern and Esterházy Kaštiel. The Quartet returns to North America in collaboration with pianist Jonathan Biss, performing in Philadelphia, Albany, Montreal, Dallas, Athens, GA and Middlebury, VT. 

With a curiosity for repertoire and setting, the Quartet was delighted to take on John Adams’ “Absolute Jest” for String Quartet and Orchestra. The Quartet was invited to give the Austrian premiere at the Vienna Konzerthaus with John Adams conducting, the Dutch premiere with the Netherlands Radio Philharmonic at the Concertgebouw under Markus Stenz and performed the piece with the BBC Scottish Symphony and BBC Symphony Orchestras. Their recording of the piece with the Royal Scottish National Orchestra and Peter Oundjian, released on Chandos in 2018, was named Recording of the Month in BBC Music Magazine and praised for the “sumptuous sweetness and laser-like clarity” of its performance.

Alongside main season concerts the Quartet has a busy festival schedule and has performed at the Schwarzenberg Schubertiade, Grafenegg, Festspiele Mecklenburg-Vorpommern, Schwetzingen, Edinburgh, Aldeburgh, West Cork, Cheltenham, Delft, and Risør Festivals, collaborating with artists including Ian Bostridge, Mark Padmore, Alexander Melnikov, Pieter Wispelwey, Jonathan Biss, Chen Halevi, Elizabeth Leonskaja, Benjamin Grosvenor, Alina Ibragimova and Cédric Tiberghien.

Since 2010 the Doric Quartet has recorded exclusively for Chandos Records, with their releases covering repertoire ranging from Schumann through to Korngold and Walton as well as works with orchestra  including Elgar’s Introduction and Allegro and John Adams’ Absolute Jest. 2019 saw the release of the Quartet’s benchmark recording of the complete Britten String Quartets which gathered glittering reviews across the board. Recorded at Snape Maltings Concert Hall in conjunction with a series of performances at the Britten Weekend celebrations, the disc was Album of the Week in The Sunday Times, Editor’s Choice in Gramophone and saw the Doric praised in BBC Music Magazine for its “extraordinary affinity” with Britten’s music. The Quartet’s ongoing commitment to Haydn has so far seen them record the complete Opus 20, Opus 76 and Opus 64 Quartets with the recordings attracting acclaim including Editor’s Choice in Gramophone, Choc du Mois in Classica Magazine and a shortlisting for a Gramophone Award. The next instalment in the Quartet’s series of Haydn recordings (Opus 33) will be released in October 2020, with other future recording plans including quartets by Mozart, Mendelssohn.

Formed in 1998 the Doric String Quartet won first prize at the 2008 Osaka International Chamber Music Competition and 2nd prize at the Premio Paolo Borciani International String Quartet Competition. In 2015 the Quartet was appointed as Teaching Quartet in Association at the Royal Academy of Music in London and from 2018 the Quartet took over the Artistic Directorship of the Mendelssohn on Mull Festival, a position which sees them play a key role in implementing the Festival’s core mission of providing young chamber music professionals with a week of intensive mentoring, coaching and development.

The Quartet’s violist Hélène Clément plays a viola by Guissani from 1843, generously on loan from the Britten-Pears Arts and previously owned by Frank Bridge and Benjamin Britten.



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