Beijing Guitar Duo

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  Isabelle Faust

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  Philippe Quint

  Baiba Skride

Philippe Quint


Award-winning American violinist Philippe Quint is a multifaceted artist whose wide range of interests has led to several Grammy nominations for his albums, performances with major orchestras throughout the world at venues ranging from the Gewandhaus in Leipzig to Carnegie Hall in New York, a leading role in a major independent film called Downtown Express, and explorations of tango with his band The Quint Quintet.

Highlights of his 2013-2014 season include performances with the London Philharmonic led by Damian Iorio, The Phoenix Symphony with Gregory Vajda, San Antonio Symphony with Cristian Macelaru, Rochester Philharmonic with Fabien Gabel, and Jacksonville Symphony with André Raphel, as well as return performances and a new recording with the Bochumer Symphoniker and Steven Sloane.

Quint’s live performances and interviews have been broadcast on television by CBS, CNN, ABC, BBC World News, NBC, Reuters, Bloomberg TV, as well as by radio stations nationwide including NPR, WNYC and WQXR. His recordings have received multiple “Editor’s Choice” selections in GramophoneThe Strad, Strings, and the Daily Telegraph. His remarkable degree of lyricism, poetry and impeccable virtuosity has gripped the eyes and ears of audiences in Asia, Australia, Latin America, Africa, Europe and the U.S. with what The Times (London) describes as his “bravura technique, and unflagging energy.”

Philippe Quint is one of the few classical artists to star in the lead role of a major independent picture. Downtown Express, from Michael Hausman (producer of Gangs of New YorkBrokeback Mountain and Amadeus) and multi-Emmy winning director David Grubin, is currently premiering through out the world at various national and international film festivals including Woodstock, New York, Houston, Mons (Belguim), Cuba, Vermont, and Florida.

Philippe Quint’s formidable discography includes a large variety of rediscovered treasures along with popular works from standard repertoire. In November 2013, he releases Opera Breve with pianist Lily Maisky, a unique collection of opera transcriptions for violin and piano featuring both popular and rare songs, on Avanticlassic. His recording of the Tchaikovsky Violin Concerto with the Sofia Philharmonic led by conductor Martin Panteleev, paired with Anton Arensky’s String Quartet No. 2, Op. 35 (for violin, viola, and two cellos) written in memory of Tchaikovsky, will be released in spring 2014. In May 2014, Quint records the Khachaturian and Glazunov Violin Concertos with the Bochumer Sinfoniker.

Quint’s first album for Avanticlassic, a recording of the Mendelssohn and Bruch Violin Concertos and Beethoven’s Romances with the Orquesta Sinfónica de Minería led by Carlos Miguel Prieto, was released in 2012. Gramophone described Quint’s performance as “pure sound and refined expression. An account well worth hearing.” His recordings of William Schuman’s Violin Concerto (2007) and Korngold’s Violin Concerto (2009) were both nominated for Grammy Awards. Other critically acclaimed albums include the world premiere recording of John Corigliano's Red Violin Caprices, Ned Rorem’s Concerto, Miklos Rozsa’s Complete Works for Violin and Piano with William Wolfram, Bernstein’s Serenade, and a unique compilation of works by Paganini arranged by Fritz Kreisler, which BBC Music Magazine called “truly phenomenal.”

Constantly in demand worldwide, Quint’s most recent appearances include performances with the orchestras of Chicago, Detroit, Indianapolis, New Jersey, Minnesota, Bournemouth, Houston, Weimar Staatskapelle, Royal Liverpool, China National, Orpheus, Berlin Komische Oper, Leipzig’s MDR at the Gewandhaus, Nordwestdeutsche and Bochumer Symphonikers, Cape Town Philharmonic, and Plácido Domingo’s Youth Orchestra of the Americas. He has performed under the batons of Marin Alsop, Carl St. Clair, Daniel Hege, Andrew Litton, Kurt Masur, Jorge Mester, Marco Parisotto, Martin Panteleev, Carlos Miguel Prieto, Klauspeter Seibel, Christopher Seaman, Kenneth Schermerhorn, Steven Sloane, Michael Stern, Bramwell Tovey, Gregory Vajda, and Martin Yates.

Philippe Quint has given solo recitals and chamber music performances at the Mostly Mozart, Caramoor, Ravinia, Aspen, Lincoln Center, and Chautauqua festivals, Lukas Foss's Hamptons Music Festival, Kravis Center, UC Davis Presents, Rome Chamber Festival, Moritzburg, El Paso, La Jolla SummerFest and at the National Gallery in Washington. In 2009, Quint formed The Quint Quintet, an ensemble dedicated to exploring the music of Astor Piazzolla and Argentine Tango.

Philippe Quint studied at Moscow's Special Music School for the Gifted with the famed Russian violinist Andrei Korsakov, and made his orchestral debut at the age of nine, performing Wieniawski's Concerto No. 2. After emigrating to the United States, he earned both Bachelor's and Master's degrees from Juilliard. His distinguished pedagogues included Dorothy Delay, Cho-Liang Lin, Masao Kawasaki, and Felix Galimir. He also studied and participated in masterclasses with Isaac Stern, Itzhak Perlman, and Arnold Steinhardt.

The Chicago Tribune proclaimed, “Here is a fiddle virtuoso whose many awards are fully justified by the brilliance of his playing.” Among his many honors, Quint was the winner of the Juilliard Competition and Career Grant Recipient of Salon de Virtuosi, Bagby and Clarisse Kampel Foundations. Philippe Quint plays the magnificent 1708 "Ruby" Antonio Stradivari violin on loan to him through the generous efforts of The Stradivari Society®. He is managed by Arts Management Group and records for Avanticlassic.

For more information visit

Korngold Concerto 1st Movement
Korngold Concerto 2nd Movement
Sibelius Concerto 1st Movement

Critical Acclaim

“Clad in black, with his dark hair falling over his closed eyes, Mr. Quint dazzled the crowd with a theme from the movie “The Red Violin”; Gershwin’s “It Ain’t Necessarily So”; a Paganini Variations; and the Meditation from Massenet’s opera “Thaïs.”

“Quint has the power, breadth of tone and passion… “


"Quint made a smashing impression...Make no mistake, this man can play…Quint understood this tour de force pieces celebrate virtuosity and music. He is well acquainted with both."

“No matter what Beriot throws at him, as witness the athletic high jinks of no. 3’s finale, Quint emerges completely unscathed and apparently thirsty for more.”

“Philippe Quint’s panache is stunning and this CD offers some of the most attractive music for solo violin in the entire repertoire”.

"It's a grabber from the first notes. Philippe Quint is the sterling violin soloist; the ensemble sounds taut and fully engaged. Hot stuff."

“With his lanky build and shoulder-length dark hair, he looked like a modern day Paganini -and he played like one, too. Violinist Philippe Quint wowed the crowd…brilliant technique and compelling personality.’’

“Philippe Quint was the soloist in the Tchaikovsky Concerto… Quint’s performance was beautiful, expansive and thoughtful earning him an unusual second solo bow at the end.”

“The soloist is Philippe Quint … his performance is elegantly sinuous and musically subtle preferable on my CD player to Gidon Kremer or Zino Francescatti among numerous others who have recorded what remains, for me, Bernsteins finest concert work…”

"Extraordinary soloist…A few violinists of any generation can make Tchaikovsky’s evergreen Concerto spring to life these days. Quint did just that."

“Violinist Philippe Quint played it warmly and with intensity, a down payment on the blazing performance he turned in. The collaboration between Quint and Mester was tight, especially evident in the precision with which they ended the first magical slow movement..."

“And what a terrific soloist the young Russian born American violinist Philippe Quint makes! …he vanquishes the violin writing with ease. Here is a young fiddle virtuoso whose many awards are fully justified by the brilliance of his playing”.

“Dazzling performance… violinist of uncommon brilliance and flair. Intonation is impeccable and Quint brings to the score the grand gestures of his Russian training”.

“The assured, penetrating performance of Violin Concerto by young Russian born American fiddler Philip Quint demonstrates how deserving Schuman is of attention”.

"A legend in the making, Russian violinist Philippe Quint gave a thrilling performance…"

“Philippe Quint, a Russian-born American, sounds like a first rate violinist here. He is especially eloquent in those passages where the violin enters in a still, small voice after an orchestral cataclysm”.

“Philippe Quint’s high powered reading would be easy to recommend even if there were a competition”.


'”The eye and ear were gripped by the soloist…a young Russian-born New Yorker called Philippe Quint....(Stravinsky Violin Concerto).... he displayed bravura technique, unflagging energy, a convincing approach to this theatrical and often sardonic music, and the instincts of a showman. One senses he is heading for even more glamorous destinations..."

“Performed by the Russian-born violinist Philippe Quint, the Korngold Concerto was the audience favorite. Quint performed with shining tone and large scale of emotions”.

“Quint’s appearance combined with charismatic articulation and Mozartean grace; here was a tight, stylish and affable reading with minimum of self-consciousness and a maximum of tone color. One can hardly remember a performance of a familiar piece at once so complete and so moving."

“The concert continued with the premiere of a violin concerto commissioned from Lera Auerbach, played smartly by twice Grammy-nominated Philippe Quint, to whom the work is dedicated. Quint, also a Soviet defector, played with lyricism, energy and devotion”.

“This Russian born American (Philippe Quint) is not only a superb technician, negotiating Stravinsky's complex rhythms and lyrical flights with equal ease, but also a compellingly mercurial and vivid player, totally at home with this concerto varied moods; Quint is up for a Grammy Award, along with Bournemouth Symphony Orchestra itself, for a NAXOS recording of the William Schuman Concerto’’.

Quint remains an ardent, technically masterful advocate of the concerto, playing the piece with the utter conviction of one who believes it to be the equal of any work in the standard repertory. His articulation and command of every textual element, particularly in the clarity of his rapid spiccato, were impressive.”



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