Beijing Guitar Duo

  Manuel Barrueco

  Isabelle Faust

  Jennifer Frautschi

  Vadim Gluzman

  Paul Huang

  Amit Peled

  Jean-Guihen Queyras

  Philippe Quint

  Baiba Skride

Philippe Quint


Lauded by Daily Telegraph (UK) for his “searingly poetic lyricism,” celebrated  American violinist Philippe Quint is carving an unconventional path with his impassioned musical desire for reimagining traditional works, rediscovering neglected repertoire, and commissioning works by contemporary composers. Whether with his Tango Band the Quint Quintet or a most recent journey with a Jazz Trio, his dedication to exploring different styles and genres with an award winning discography has solidified him as one of the foremost violinists of today.

Receiving several Grammy nominations for his two albums of Korngold and William Schuman Concertos, Mr. Quint is in constant demand worldwide appearing with major orchestras at venues ranging from the Gewandhaus in Leipzig to Carnegie Hall in New York while also becoming the first classical musician to land a leading role in a major independent feature film Downtown Express that was released in 2010.

Philippe Quint plays the magnificent 1708 "Ruby" Antonio Stradivari violin on loan to him through the generous efforts of The Stradivari Society®.

Highlights of 2015-2016 season include debuts with Colorado Symphony and Andrew Litton, North Carolina Symphony with Grant Llewellyn in a performance and recording of Brahms Double and Beethoven Triple Concertos with cellist Zuill Baley and pianist Awadagian Pratt, Teatro Real in Madrid with Kynan Johns and Fundacion Excelencia Orquesta, at the Lucerne Symphony’s “Russian Festival” with pianist Marc -Andre Hamelin among others, opening of Vladimit Spivakov’s Colmar Festival in France with Tugan Sokhiev in a performance of Korngold Violin Concerto and opening of the Mary B. Galvin’s new hall in Chicago along side with soprano Renee Fleming.

The upcoming season will also see two new exciting releases: original arrangements of Bach’s music by composer/pianist Matt Herskowitz titled “Bach XXI” which will debut at Lincoln Center in February 2016 and the recording of both Glazunov and Khachaturian Violin Concertos with Bochumer Sinfoniker and Steven Sloane conducting for AvantiClassic label.

In the summer 2015 he hosted the 2nd Annual Benefit “Philippe Quint & Friends” at Carnegie’s Zankel Hall presented by Russian American Foundation. The first benefit concert took place at the New York Times Center in 2014 and featured John Corigliano, Joshua Bell, Michael Bacon, J. Ralph and Emily Bergl.

Winner of the “Ambassador of Arts” award in 2014 presented to Mr. Quint by Brownstone and Gateway Organizations at the United Nations, his 2014-2015 season highlights included debuts with Seattle Symphony with Ludovic Morlot, Milwaukee Symphony with Edo de Waart, Kansas Symphony with Michael Stern, Vancouver Symphony with James Gaffigan, and returns to San Diego Symphony with Jahja Ling and Indianapolis Symphony with Krzysztof Urbanski..

Mr. Quint’s recent appearances include performances with the orchestras of London, Los Angeles, Chicago, Detroit, Indianapolis, New Jersey, Minnesota, Bournemouth, Houston, Weimar Staatskapelle, Royal Liverpool, China National, Orpheus, Berlin Komische Oper, Leipzig’s MDR at the Gewandhaus, He has performed under the batons of Marin Alsop, Carl St. Clair, Daniel Hege, Andrew Litton, Cristian Macelaru, Kurt Masur, Jorge Mester, Edo de Waart, Jahja Ling, Krzysztof Urbanski, Ludovic Morlot, Marco Parisotto, Martin Panteleev, Carlos Miguel Prieto, Klauspeter Seibel, Christopher Seaman, Kenneth Schermerhorn, Steven Sloane, Michael Stern, Bramwell Tovey, and Martin Yates among many others.

Along with Lou Diamond Phillips, Darren Criss and Lea Salonga, Mr. Quint appeared at the Kennedy Center’s “After the Storm” Benefit Concert for Philippines and debuted at the Hollywood Bowl as a part of a special “Joshua Bell & Friends” evening appearing along side with Joshua Bell, Los Angeles Philharmonic and actor Glenn Close.

Philippe Quint is the first classical artist to star in the lead role of a major independent film Downtown Express co-starring Nellie McKay from producer Michael Hausmann (Gangs of New York, Brokeback Mountain and Amadeus) and multi-Emmy winning director David Grubin. This 2012 film premiered in New York and Los Angeles as well as at a number of national and international film festivals including Woodstock, New York, Houston (Opening Night), Mons (Belgium), Cuba, Vermont, and Florida.

Mr. Quint’s formidable discography includes a large variety of rediscovered treasures along with popular works from standard repertoire. In addition to his two upcoming releases, Mr. Quint released to critical acclaim Opera Breve CD with pianist Lily Maisky, a unique collection of opera transcriptions for violin and piano featuring both popular and rare songs on Avanticlassic. His first album for Avanticlassic, a recording of the Mendelssohn and Bruch Violin Concertos and Beethoven’s Romances with the Orquesta Sinfónica de Minería led by Carlos Miguel Prieto, was released in 2012. Gramophone described Quint’s performance as “pure sound and refined expression. An account well worth hearing.” His recordings for Naxos of William Schuman’s Violin Concerto (2007) and Korngold’s Violin Concerto (2009) were both nominated for Grammy Awards. Other critically acclaimed albums include the world premiere recording of John Corigliano's Red Violin Caprices, Ned Rorem’s Concerto, Miklos Rozsa’s Complete Works for Violin and Piano with William Wolfram, Bernstein’s Serenade, and a unique compilation of works by Paganini arranged by Fritz Kreisler, which BBC Music Magazine called “truly phenomenal.”

Mr. Quint leads his own chamber music festival in Mexico City and is an active chamber musician who frequently collaborates with cellists Alisa Weilerstein, Gary Hoffman, Carter Brey, Nicholas Altstaedt,  Zuill Bailey, Claudio Bohorquez and Jan Vogler, pianists William Wolfram, Inon Barnatan, Simone Dinnerstein, Jeffrey Kahane, violists Nils Monkemeyer and Lily Francis as well as his esteemed violin colleagues Joshua Bell, Cho–Liang Lin, Vadim Gluzman, Nicola Benedetti, Lara St.John, Chee Yun Kim. He has appeared at the Mostly Mozart, Caramoor, Ravinia, Aspen, Rome, Mortizburg, La Jolla, Lincoln Center and Chautauqua festivals and in recital and chamber performances at Kravis Center, UC Davis Presents, the National Gallery in Washington, and San Francisco Performances with composer/pianist Lera Auerbach.

Philippe Quint’s live performances and interviews have been broadcast on television by CBS, CNN, ABC, BBC World News, NBC, Reuters, Bloomberg TV, as well as by radio stations nationwide including NPR, WNYC and WQXR. His recordings have received multiple “Editor’s Choice” selections in Gramophone, The Strad, Strings, and the Daily Telegraph. His remarkable degree of lyricism, poetry and impeccable virtuosity has gripped the eyes and ears of audiences in Asia, Australia, Latin America, Africa, Europe and the U.S. with what The Times (London) describes as his “bravura technique, and unflagging energy.”

Born in St. Petersburg, Russia, Philippe Quint studied at Moscow's Special Music School for the Gifted with the famed Russian violinist Andrei Korsakov and made his orchestral debut at the age of nine performing Wieniawski's Concerto No. 2. After moving to the United States, he earned both Bachelor's and Master's degrees from The Juilliard School. His distinguished pedagogues and mentors included Dorothy Delay, Cho-Liang Lin, Masao Kawasaki, Isaac Stern, Itzhak Perlman, Arnold Steinhardt and Felix Galimir.

Among his many honors, Mr. Quint was the winner of the Juilliard Competition and Career Grant Recipient of Salon de Virtuosi, Bagby and Clarisse Kampel Foundations.



Korngold Concerto 1st Movement
Korngold Concerto 2nd Movement
Sibelius Concerto 1st Movement

Critical Acclaim

“Clad in black, with his dark hair falling over his closed eyes, Mr. Quint dazzled the crowd with a theme from the movie “The Red Violin”; Gershwin’s “It Ain’t Necessarily So”; a Paganini Variations; and the Meditation from Massenet’s opera “Thaïs.”

“Quint has the power, breadth of tone and passion… “


"Quint made a smashing impression...Make no mistake, this man can play…Quint understood this tour de force pieces celebrate virtuosity and music. He is well acquainted with both."

“No matter what Beriot throws at him, as witness the athletic high jinks of no. 3’s finale, Quint emerges completely unscathed and apparently thirsty for more.”

“Philippe Quint’s panache is stunning and this CD offers some of the most attractive music for solo violin in the entire repertoire”.

"It's a grabber from the first notes. Philippe Quint is the sterling violin soloist; the ensemble sounds taut and fully engaged. Hot stuff."

“With his lanky build and shoulder-length dark hair, he looked like a modern day Paganini -and he played like one, too. Violinist Philippe Quint wowed the crowd…brilliant technique and compelling personality.’’

“Philippe Quint was the soloist in the Tchaikovsky Concerto… Quint’s performance was beautiful, expansive and thoughtful earning him an unusual second solo bow at the end.”

“The soloist is Philippe Quint … his performance is elegantly sinuous and musically subtle preferable on my CD player to Gidon Kremer or Zino Francescatti among numerous others who have recorded what remains, for me, Bernsteins finest concert work…”

"Extraordinary soloist…A few violinists of any generation can make Tchaikovsky’s evergreen Concerto spring to life these days. Quint did just that."

“Violinist Philippe Quint played it warmly and with intensity, a down payment on the blazing performance he turned in. The collaboration between Quint and Mester was tight, especially evident in the precision with which they ended the first magical slow movement..."

“And what a terrific soloist the young Russian born American violinist Philippe Quint makes! …he vanquishes the violin writing with ease. Here is a young fiddle virtuoso whose many awards are fully justified by the brilliance of his playing”.

“Dazzling performance… violinist of uncommon brilliance and flair. Intonation is impeccable and Quint brings to the score the grand gestures of his Russian training”.

“The assured, penetrating performance of Violin Concerto by young Russian born American fiddler Philip Quint demonstrates how deserving Schuman is of attention”.

"A legend in the making, Russian violinist Philippe Quint gave a thrilling performance…"

“Philippe Quint, a Russian-born American, sounds like a first rate violinist here. He is especially eloquent in those passages where the violin enters in a still, small voice after an orchestral cataclysm”.

“Philippe Quint’s high powered reading would be easy to recommend even if there were a competition”.


'”The eye and ear were gripped by the soloist…a young Russian-born New Yorker called Philippe Quint....(Stravinsky Violin Concerto).... he displayed bravura technique, unflagging energy, a convincing approach to this theatrical and often sardonic music, and the instincts of a showman. One senses he is heading for even more glamorous destinations..."

“Performed by the Russian-born violinist Philippe Quint, the Korngold Concerto was the audience favorite. Quint performed with shining tone and large scale of emotions”.

“Quint’s appearance combined with charismatic articulation and Mozartean grace; here was a tight, stylish and affable reading with minimum of self-consciousness and a maximum of tone color. One can hardly remember a performance of a familiar piece at once so complete and so moving."

“The concert continued with the premiere of a violin concerto commissioned from Lera Auerbach, played smartly by twice Grammy-nominated Philippe Quint, to whom the work is dedicated. Quint, also a Soviet defector, played with lyricism, energy and devotion”.

“This Russian born American (Philippe Quint) is not only a superb technician, negotiating Stravinsky's complex rhythms and lyrical flights with equal ease, but also a compellingly mercurial and vivid player, totally at home with this concerto varied moods; Quint is up for a Grammy Award, along with Bournemouth Symphony Orchestra itself, for a NAXOS recording of the William Schuman Concerto’’.

Quint remains an ardent, technically masterful advocate of the concerto, playing the piece with the utter conviction of one who believes it to be the equal of any work in the standard repertory. His articulation and command of every textual element, particularly in the clarity of his rapid spiccato, were impressive.”



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