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Belcea Quartet
Claremont Trio
Concertante
Fry Street String Quartet
Jupiter String Quartet
Kuss Quartet
Modigliani Quartet
Muir String Quartet
Pavel Haas Quartet
Trio Solisti
Ysaye Quartet
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Jupiter String Quartet
Nelson Lee - violinist
Meg Freivogel - violinist
Liz Freivogel - violist
Daniel McDonough - cellist
Biography
The JUPITER STRING QUARTET, formed in 2001, is a particularly intimate group, consisting of violinists Nelson Lee and Megan Freivogel, violist Liz Freivogel (older sister of Meg), and cellist Daniel McDonough (husband of Meg, brother-in-law of Liz). Meg and Liz grew up playing string quartets with their two brothers, Ben and J. Rehearsals were often quite raucous, but they grew to love chamber music during weekly coachings with Oliver Edel, a wonderful cellist and teacher who taught generations of students in the Washington, D.C., area. Nelson also comes from a musical family–both of his parents are pianists (his father also conducts) and his twin sisters, Alicia and Andrea, play clarinet and cello. Although Daniel originally wanted to be a violinist, he ended up on the cello because the organizers of his first strings program declared that he had “better hands for the cello.” He remains skeptical of this comment (he was, after all, only five), and suspects they may just have needed more cellists, but is happy that he ended up where he did. Daniel, Nelson, and Meg met at the Cleveland Institute of Music, and when they were searching for a violist Meg suggested they might consider her sister Liz, who was at nearby Oberlin College. The quartet finished up their schooling together at the New England Conservatory of Music, where they were in the Professional String Quartet Training Program. They currently reside in Boston, Massachusetts.
The quartet chose its name because Jupiter was the most prominent planet in the night sky at the time of its formation, and the astrological symbol for Jupiter resembles the number four. There are also musical references (for example, Holst’s The Planets, in which Jupiter is “the bringer of jollity”) that emphasize the connotations of happiness and strength associated with the Roman god Jupiter. The quartet owes much of its musical philosophy to the influences of the original Cleveland Quartet and the current Takacs Quartet, in which all four members form a dynamic and democratic union. The Jupiters spent many of their formative years under the instruction of these eminent chamber musicians, and continue to adhere to many of their central principles today. While enjoying the opportunity to work with living composers, they still feel a strong and fundamental connection to the core string quartet literature, particularly the wonderful set of sixteen quartets by Beethoven and the six quartets of Bela Bartok. In addition to its formal concert schedule, the Jupiter String Quartet places a strong emphasis on developing relationships with future classical music audiences through outreach work in the school systems and other educational performances. They believe that chamber music, because of the intensity of its interplay and communication, is one of the most effective ways of spreading an enthusiasm for “classical” music to new audiences.
The Jupiters have been fortunate to receive several recent chamber music honors, including the Avery Fisher Career Grant (2008), the Cleveland Quartet Award from Chamber Music America (2007), first prize in the Banff International String Quartet Competition (where they also received the Szekely Prize for best performance of a Beethoven quartet), and grand prize in the Fischoff National Chamber Music Competition. The quartet also won the 2005 Young Concert Artists International auditions and since 2007 has been Quartet in Residence at Lincoln Center’s Chamber Music Society Two. The Austin Critics Table honored them with the award from Outstanding Chamber Music Performance in 2006.
The quartet concertizes across the United States, Canada, Europe, Mexico, and South America. They have enjoyed playing in such venues as New York’s Carnegie Hall and Lincoln Center, Boston’s Jordan Hall, Mexico City's Palacio de Bellas Artes, and Washington, D.C.’s Kennedy Center, Corcoran Gallery, and Library of Congress. They have also been enthusiastically received at several major music festivals, including the Aspen Music Festival, the Vancouver Chamber Music Festival, the Caramoor International Music Festival, the Great Lakes Chamber Music Festival, the Honest Brook Festival, the Skaneateles Festival, and the Yellow Barn Music Festival.
The 2009-10 season includes performances at the Isabella Stewart Gardner Museum in Boston, Washington, DC’s Corcoran Gallery, Williams College, New Orleans’ Friends of Music, the Feldman Chamber Music Society of Norfolk, Northwestern University, Lee University, Bucknell University, Virginia Commonwealth University, Adelphi University, and Mary Baldwin College. The quartet will also appear at Palm Beach’s Society of the Four Arts, Memphis’ Concerts International, and the Chamber Music Societies of Philadelphia, San Antonio, Dallas, Columbus, Montgomery, Providence, Napa Valley and Bethlehem (PA).
A highly anticipated second commercial recording in 2009 on the Marquis label of Mendelssohn’s Opus 80 and Beethoven’s Opus 135 Quartets follows a critically acclaimed debut recording on Marquis of Shostakovich and Britten.
Website: http://www.jupiterquartet.com
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